MudLuscious's imprint series NEPHEW is doing a lot of things right. I ordered Robert Kloss's How The Days Of Love And Diphtheria today and I am very excited to read it.

Vouched books, the Atlanta division, was at the Decatur Book Festival this weekend. It was good to hangout with them for few hours. Vouched is such a great idea. I love what they do and what they support.

Blue Square Press Supports books

Blue Square Press will buy a copy of Darby Larson's The Iguana Complex (published by Nephew) for the first two people who purchase- and leave a comment on this post- both Flowing in the Gossamer Fold and Theater-State for $20 at the following link, here. The first two people who follow the (here) link, purchase and comment will receive Darby Larson's book for free. Darby Larson is awesome. Check out Abjective if you don't already.

About Nephew: "Nephew, an imprint of Mud Luscious Press, publishes raw & aggressive pocket-sized titles in limited-editions of 150 copies or for a sales period of 90 days, whichever comes first. There will be no subsequent editions."

As I type this there are 50 copies or 34 days left, whichever comes first.

Have a good day.

The Knox Writers’ House, a List, a List.

1.

Three rad students from Knox College in Galesburg, Illinois (Sam Conrad, Emily Oliver and Bryce Parsons-Tweston) came to my house today to record my voice. They started driving around the Midwest in June talking to over 80 writers about their work, recording audio poems and stories in each place they stopped. Now they're in the South. This massive project will result in an impressive collection of voices that will be presented and archived on their eventual website "The Knox Writers' House." They are backed by grants and stuff. They sleep on couches. They are super nice.

They recorded me reading the following: Excerpted chapters from Flowing in the Gossamer Fold, 1, 2, 3, 5, 7, 8 & 11 (the book has 40 chapters). Two short stories: Tattered, Velvet, Ocean & Smother.

They also ask each writer they record to read somethings from people they admire: I read dolemite by Sean Kilpatrick, Three Boys Who Thought Experimental Fiction Was For Pussies by Dennis Cooper, and The Well by Jesse Ball.

I'll let you know when the recordings are up, probably sometime early to mid next year. I don't want to spoil the surprise but when The Knox Writers’ House launches you're going to be treated to some awesome stuff.

2.

Maybe consider subscribing to the 2011 Mud Luscious complete print collection.

3.

Maybe consider adding Flowing in the Gossamer Fold to your goodreads queue, that would be nice.

4.

Robot Melon.

5.

Blue Square Press is very excited about Jack Boettcher's forthcoming book Theater-State. We'll have a lot more information about it at the beginning of the new year.

6.

I started a collaboration thing with Brandi Wells.

7.

The Moon Tonight Feels My Revenge.

8.

Dogfish Head 90 min IPA.

9.

A lot of fires. It is cold.

10.

All of her teeth were scattered.
And then people were holding them like diamonds.

11.

Burnaway authors on art: Shane Jones, Heather Christle.

12.


13.

Uhh.

14.

Robert Lopez.

15.

Happy holidays.

16.

A full plate of pulled pork bbq nachos was a bad idea. 1/2 plate would have sufficed.

Being Flesh. MLP Subscription. Choke On These Words.

The 2011 Complete Print Subscription

GRIM TALES : Norman Lock

THE HIEROGLYPHICS : Michael Stewart

I AM A VERY PRODUCTIVE ENTREPRENEUR : Mathias Svalina

[ C. ] an mlp stamp stories anthology

plus handmade chapbook volumes from Jessica Newman, Stephen Gropp-Hess, Neila Mezynski, Kristina Marie Darling, John H. Henry, Andrew Borgstrom, Ani Smith, Sarah-Jane de Brito Martin, Robert Kloss, & Ben Spivey

Sasha Fletcher Interview

Sasha Fletcher is the author of the fantastic novel(la) WHEN ALL OUR DAYS ARE NUMBERED (Mud Luscious Press, 2010).

You can both buy and read an excerpt from the novel(la), here. Or you can win a copy by answering the question at the bottom of the interview.

BS: What is it like when you dream?

Sasha Fletcher: Honestly I don't really know. It's sort of like a fever I think. It's an awkward jumble of real life and worrying. I think. I don't really remember my dreams.

BS: WHEN ALL OUR DAYS ARE NUMBERED has the very noticeable feelings of sadness, worry, and uncertainty that feels like anxiety, but also discovery and ruin. How did you come up with the idea for the book? Did it start as a feeling or feelings?

SF: It started actually as the Lamination Colony piece WE ARE GOING TO GET PAID AND THEN WE WILL DRESS FOR THE WEATHER. I wrote about two other pieces like that one and then strung them together. Overall, the ideas came as feelings, and sometimes pictures.

BS: You mention a lot of people in the acknowledgments section. What were some of your influences?

SF: The acknowledgments section contains all the people who I forced to read over early versions of the book and give me notes. The influences for the book: I was reading VACATION by Deb Olin Unferth and also THE BATTLEFIELD WHERE THE MOON SAYS I LOVE YOU by Frank Stanford and I was reading the numbered stories in Shane Jones's I WILL UNFOLD YOU WITH MY HAIRY HANDS. I read some other things too, but those were the ones that kept showing me things I wanted to do.

BS: Do you like Blade Runner?

SF: I do! I got that new version but I haven't watched it yet. I am waiting for a rainy night, I think. Good lord do I like that movie.

BS: When did you start writing?

SF: When I started drawing, which was as soon as I could. But mostly, when I was in third grade. I broke my right wrist, and so I couldn't learn cursive with everyone else, and so I had to turn in book reports, and I think about halfway through I just started making up the books and the stories in them.

BS: What are you working on now?

SF: I am working on a bunch of poems that will be my thesis that will then be a book. They are mostly written in lines as opposed to prose, which is weird for me, but kind of exciting.

BS: One of my favorite lines in the novel(la) is “I wanted to wear you like a skin” (52). If you could wear someone like a skin who would it be?

SF: Damn that is a really good question.

BS: The ocean or outer space?

SF: The ocean.

BS: Did you play Super Nintendo games?

SF: I was not allowed a Super Nintendo, but at various times we rented a Nintendo 64 from Blockbuster. Mostly to play Mario Kart.

BS: What was your writing process for WHEN ALL OUR DAYS ARE NUMBERED like? Where were you when you wrote it? What is your intent in your use of language?

SF: The house I was living in from 2008-2009 in Philadelphia played a huge part in WHEN ALL OUR DAYS ARE NUMBERED and also a book of prose poems called EVERYTHING HERE IS OK. It was a strange space with a basement and a kitchen with a tin ceiling and a roof with a bench on it that had a view of the whole city. It took a while to be able to leave that space and I feel that since then it's been hard to root the work somewhere. Which has been interesting. The world ends a whole lot in the new stuff. Like all the time. Sometimes several times in one piece. I try at times to intend things with my language and to let the sound drive things when it can. Often my girlfriend points out that what I wrote makes very little sense and that it's great for me to think about that, but that if I could think of a way to do that and have it make sense, that'd be great too, and it is, because she is right. She probably edits almost everything I write at this point, and I'm the better for it.

BS: Do you think that sound driven pieces are better suited as flash and poetry?

SF: I think most things are better suited to what they are as opposed to what we want to make them into. I think, honestly, that the best works are marriages of sound and sense.

BS: What are you reading right now that you would recommend?

SF: Ben Mirov and Emily Pettit. I just finished 31 Poems 1988-2008 by Dean Young and some of those were fucking incredible. But mostly everyone should read anything they can by both Ben Mirov and Emily Pettit. And everyone should read VENTRILOQUISM by Prathna Lor and BOOK by Ken Sparling.

BS: What are you looking forward to?

SF: I am looking forward to Blake Butler's novel THERE IS NO YEAR. I am looking forward to THE CLOUD CORPORATION by Timothy Donnelly. Shane Jones just finished writing a new book and I really really wanna see it. I am probably most looking forward to DADDY'S by Lindsey Hunter and MUSEUM OF THE WEIRD by Amelia Gray.

BS: Did Internet journals change how you approached writing?

SF: Yes. Completely. I kept sending shit to Bear Parade and Gene Morgan would calmly and patiently tell me, submission and after submission, that this wasn't going to work out for me. But after the fourth or so, he told me I had some good poems and should send them around and he gave me a list of places that might like them. The guy is a goddam sweetheart. I don't know. The internet just opened up this world of people who seemed so much closer to me than, well, someone who'd gotten a book published. They were all trying to figure out or had figured out what sort of writer they were. It's exciting. I mean, sometimes it sucks and sometimes it seems you read the same piece over and over in every journal. But that's how journals work. But the point of this is that the Internet changed my approach to writing. I realized if I wanted to get into Bear Parade I had to think about what it was that I was trying to do and to sit down and do it. I read a book by Tao Lin with that Miranda July blurb that said he wrote out of boredom and confusion. I realized I was bored and confused pretty much all the time, and that to not write when I felt that would be a lie. It seemed really important and really interesting to try to write as a means of feeling something. Of feeling anything. Of writing of and through and into boredom and confusion. Also, yknow, happiness and awe and that sort of thing. Awe seems important. Anyway, doing that felt, and still feels, incredibly important. At least to try to do that.

BS: What excites you?

SF: Damn. My girlfriend. Dinner. People doing things well. Donald Barthelme. The way the sun comes in through the front windows of our apartment and just bathes over everything. Well-designed books. The way books smell. The way things taste when you really need them. Feelings. Books that make me feel things. Movies that make me feel things. Deadwood. The first season of Friday Night Lights. I'm still figuring out my feelings towards season 2. Bodies of water. Sitting in the sun. Playing Tennis. Cooking. Seeing my friends. Cheap drinks in New York City. Good art. The Phillies scoring nine runs in the seventh last night. Mostly I think I am pretty excitable.

Contest:

Sasha and I are holding a contest. On page 52 of WHEN ALL OUR DAYS ARE NUMBERED is the line, “I wanted to wear you like a skin.” Leave a comment answering the question: if you could wear someone like a skin who would it be? And we'll choose our favorite answer/ response. The chosen favorite will be shipped a brand new copy of Fletcher's book. The winner will be announced on 9/17.

New blurb and,

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“Part Jungian allegory, part surreal dreamscape, part Odyssean tramp, Ben Spivey’s Flowing in the Gossamer Fold is a romp through distorted time in a landscape carved by sudden oceans built from perpetual rain, where a cityscape has sidewalks littered with disappearing sages, and an edenic forest is graffitied with the father’s word. The sentences of Malcolm Blackburn’s midlife crisis are charged with the energy of a young man—the young man who penned this fucked up vision of pain and forgiveness, of what is ultimately the lesson of life: it’s beautiful, and it sucks.”

-Jamie Iredell, author of Prose. Poems. a Novel., and The Book of Freaks

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Iredell's The Book of Freaks is forthcoming from Future Tense Books sometime this year, look for it.

Really excited about the upcoming Mud Luscious releases of Ben Brooks Island of Fifty and Sasha Fletcher's When All Our Days Are Numbered coming out next month.

Blue Square Press will be reading manuscripts in August. Take that anyway you want.

I've decided that in addition to signing all of the pre-orders for Flowing in the Gossamer Fold that I'll include a torn out page or two from the journals I wrote in while working on the novel.

Matt DeBenedictis, J. Bradley and I will be reading in Atlanta mid-July, more about that as the plan develops.